Unlike the standalone software, you have a more limited selectio. If you’re expecting an interface that offers the same level of customisation as the standalone Bias FX modelling software, taper your expectations now. I think it is worth focusing on the accompanying Spark amp application that you install on your phone and use to interact with the amp. If you don’t want to bother with the app initially, you don’t have to set anything up except what sounds you want. I turned the amp on, opened up the app and it found the amp and paired with it. While the Spark amp does not require the use of the accompanying smartphone app (it has dials for volume, tone, amps and more as you would expect), you definitely want to pair this thing via Bluetooth to your phone. It’s not overly heavy, but it has enough of a weighted feeling that makes it feel like a solid amplifier and construction-wise, it’s quite pleasant to look at. The first thing that stood out to me is the Spark looks like a real amplifier albeit a small one. The box comes with the amp, a power adapter and a USB lead: that’s it. A practice amp that sounded good, I could easily travel with and had enough volume for most situations where you would want to use it. The Pod also does not have a speaker either, so I need to find my headphones (my kids have usually taken) and fidget about.įrom an ease of use perspective, flick the switch and plug my guitar in the Spark amp really interested me. The downside with my Pod is that it’s not exactly plug-and-play, it also doesn’t have a power switch, and it’s usually wired up for recording, not for picking up and playing. I already have a modeller, a Line 6 Pod HD500x multiprocessor, which I’ve learned to use and really hone my sounds over the past few years I have owned it. When the Positive Grid Spark Amp was first announced, it piqued my interest for a multitude of reasons. The point I am making here is digital modelling has evolved to the point where it is not only good enough for home use but also touring and in the studio. Metallica famously made the switch to Axe-FX somewhere around 2013, the savings on not shipping heavy speaker cabinets and amplifier heads would be astronomical for them. Amp modelling is so good in fact, and you probably don’t realise many of your favourite artists are using guitar modelling software, VST plugins and digital amplifiers instead of traditional pedals and amplifiers in the studio and live performances. These days, digital amps and effects are commonplace. Over the years, I have seen the landscape when it comes to guitars, effects and amplifiers dramatically evolve. Unbeknownst to some, I am an avid guitar player and I have been playing for around 15 years now.
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